DRACULA'S WIDOW (1988), a horror comedy that was neither scary or funny, but was just odd enough to make it strangely enjoyable. He also worked for Charles Band during the Moonbeam phase directing the weird little sci-fi western CLOCKMAKER (1998), written by the great Benjamin Carr. Again, something of a misfire, but a strangely enjoyable one.
In the year 2000 (I always wanted to say that), Coppola released an adaptation of "Grafik Muzik", a satire of superhero comics by Eisner Award winner Mike Allred, who went on to work on high profile Marvel titles and recently created Vertigo Comics' "iZombie" which was the basis for the TV series of the same name.
Their plan to do these good deeds is to set up a detective agency and do... uhhh, good deeds. To get the money to set up this business of doing good deeds, they decide to put the squeeze one of their former stoolies, Buster (Bobcat Goldthwait). Buster suspects foul things are afoot as Dean and Mike do not appear to be dead like they are supposed to be. Unfortunately for him, before he can draw his gun, Mike blows a hole in his head, and the pair help themselves to his clothes, money and his '65 Caddie. He was a crook, therefore, it was a good deed, right?
There are also two cops looking into Buster's murder, Lt. Langdon (Gary Busey) who wears a black trenchcoat and pink lip-gloss and Dalton (Zach Galligan), a straight from the academy nerd. At one point Dalton tells Langdon that he respects his choice in personal life as a homosexual to which Langdon screams in his face "I am a sadistic, leathermaster homosexual and I will tease your sensibilities." Granted not a particularly funny line on paper, but when it is being spit out through clenched teeth by a deranged Gary Busey, it turns into comedy gold. This pretty much describes the rest of the movie. On paper, it doesn't sound so great, but with an great cast who are all in, it is actually pretty damn cool.
Coppola does a fantastic job of making the movie look like a comic book with garish colors and oblique angles on what is clearly a limited budget. Some of the cast, such as Angel and Rodriguez, chew the scenery to the point where they must have had to rebuild the sets after every take. Also, Coppola's love of cheap wigs is more than well represented here. Why does Bobcat, in his brief screen-time, need a tacky toup is a real head-scratcher. It would have been funny to see him in his robot form continue to wear the hair-piece, but instead he wears a knit black beanie in order to disguise himself as a human. But those are minor quibbles.